tag:blogger.com,1999:blog-13372801.post2478878647944501883..comments2024-01-26T00:12:27.541-08:00Comments on GoPro/CineForm Insider: When uncompressed 10-bit is not 10-bit.Davidhttp://www.blogger.com/profile/11820803180730920007noreply@blogger.comBlogger6125tag:blogger.com,1999:blog-13372801.post-63130381559351036882007-05-17T19:31:00.000-07:002007-05-17T19:31:00.000-07:00Sergio,I doubt Jake ment to send you here, as ther...Sergio,<BR/><BR/>I doubt Jake ment to send you here, as there is no way have a discussion. Try DVInfo.net instead. After Effects Pro is greater than 8-bit and has no issue creating 10-bit log Cineon exports for film out.Davidhttps://www.blogger.com/profile/11820803180730920007noreply@blogger.comtag:blogger.com,1999:blog-13372801.post-31286998704967743722007-05-17T18:09:00.000-07:002007-05-17T18:09:00.000-07:00Hi David:I was asking Jake, a Cineform support guy...Hi David:<BR/>I was asking Jake, a Cineform support guy, about the output to 10bits in AE he told me to ask you in this blog. The thing is that im using Prospect 2k, my source material was captured from a prototype SI2K in Cineform RAW. I color corrected all the material natively in cineform using the fimscan 2 RGB444 presets for the final master.<BR/><BR/>Now, I have to do a data to film, and I Sergio Sanchezhttps://www.blogger.com/profile/06235253778527488309noreply@blogger.comtag:blogger.com,1999:blog-13372801.post-54099510549461146142007-03-29T07:26:00.000-07:002007-03-29T07:26:00.000-07:00Hey David! Some potentially helpful info for deali...Hey David! <BR/><BR/>Some potentially helpful info for dealing with 10 bit image output in AE, I ran into similar problems:<BR/><BR/>http://www.hdforindies.com/2006/06/after-effects-stuff-workflow-tips-and.html<BR/><BR/>Also in that genre for FCP: <BR/><BR/>http://www.hdforindies.com/2007/02/ah-hell-hell-hellfcp-workflow.html<BR/><BR/>-mikeMike Curtishttps://www.blogger.com/profile/09922566183295325705noreply@blogger.comtag:blogger.com,1999:blog-13372801.post-65414398774742781732007-03-23T11:54:00.000-07:002007-03-23T11:54:00.000-07:00Thanks for the update David, this answers a questi...Thanks for the update David, this answers a question I had about outputting >8bpc from fusion and bringing it into AE. I can at least put it into Cineform wavelet for final editing.<BR/><BR/>Joe C.Unknownhttps://www.blogger.com/profile/05606209789207324827noreply@blogger.comtag:blogger.com,1999:blog-13372801.post-25338553327801084512007-03-23T07:29:00.000-07:002007-03-23T07:29:00.000-07:00Hi Jason,Yes, this is an AVI issue on Windows AE, ...Hi Jason,<BR/><BR/>Yes, this is an AVI issue on Windows AE, not a QuickTime issue on Mac. Although now that we have been working with deep pixels format on the Mac, QuickTime does not make it much easier, trucation can still happen if you're not careful.Davidhttps://www.blogger.com/profile/11820803180730920007noreply@blogger.comtag:blogger.com,1999:blog-13372801.post-28710532480494867832007-03-23T05:51:00.000-07:002007-03-23T05:51:00.000-07:00BTW, David, I just ran some tests, and the 10-bit ...BTW, David, I just ran some tests, and the 10-bit Blackmagic RGB QT codec version does not have this problem on the Mac . . . I set AE to 32-bit float, and generated a linear ramp. I then rendered out a 10-bit Blackmagic QT RGB file using "Millions of Colors" and "Trillions of Colors" to simulate the 8-bit and then deeper pixel output modes in AE. I brought the files back in, overlaid them overAnonymousnoreply@blogger.com